[Editorial Note: I wanted to risk trying something unusual for this blog. This poem was written as my submission for Lomez's excellent Passage Prize, which I ordered, and you should too. It made the short list for the finals (yay!), but not the final prizes (boo!), nor the second round selections for the print edition (double boo!). So you might describe this as being among the worst of the worst of the best, which sounds about right to me.
The following was my introduction to the submission, which I'm not sure if I should get straight to the point and delete, but while I am a confident essayist, I am a nervous poet, so forgive the endless self-effacement:
"Hey Curtis,
Let me begin with an apology of sorts - it has been twenty years since I last wrote a poem, and I never really understood free verse. I kind of think of poetry as divided into either a) regular forms with rhyme and meter, or b) unusually personal imagery-heavy essays broken up to look visually appealing and emphasize certain pauses. I don't know if the latter is your view of free verse, however. To write the following in regular poetic form is probably outside my skill level, would take a very long time and probably would end up worse. Hence the result below. When you describe the meter of your poems, it mostly doesn't register with me, as I just breeze past this and read the sentences, which I really like. All of which is to say – I’m not sure whether this should be a poem at all, or an essay. But it doesn't seem to fit the prompt for the literary non-fiction version. So I figured I'd submit it anyway, if for no other reason than that I very much enjoyed the writing prompt to write something personal that risked being cringe." ]
America, December 31st, 2021
America, that
land
That drew me
in so long ago,
Is caught,
pincer-like,
Between the
two great forces
Of decaying
empires.
The Scylla,
Of the great
deal of ruin in a nation,
And the
Charybdis,
That that
which cannot continue, will cease.
I remember,
when I first arrived,
Having
occasion to observe,
With some
regularity,
That this was
a great country.
At billboards
advertising
"Twenty
Chicken McNuggets for $6.99".
Partly in
jest, but mostly serious,
I used to
remark:
"These
should have the national anthem
Blaring on
repeat,
Flag flying
in the breeze.
This country
believes in value!".
At redneck
engineering videos,
Of homemade
trebuchets.
At old
universities,
Taking
classes for free,
With famous
and brilliant professors.
At the wonder
that every band I loved,
Would just
turn up in my town,
And play live
every year or so.
At college
girls that would find
My accent
just cute enough,
For that
5-10% boost,
To come back
to my apartment.
America, you
have been very good to me.
I had one
such moment recently,
At seeing the
winning entries,
In a giant
pumpkin contest,
At a small-town
country fair.
A two-thousand-pound
pumpkin!
Grown simply
for the je ne sais quois!
There is
still greatness,
Wonder and
weirdness,
In odd corners
you can stumble on.
But the next
thought I had
Was realizing
Just how many
years it was
Since last I
had that thought.
Partly, the
desensitization
Of repeated
exposure.
Partly, the
ingrate foreigner,
Now
successful and dismissive,
Of those that
helped him.
But partly, I
think,
The decline
that is all around us.
I used to
joke that America
Seemed to be
experiencing
The Soviet
time-line in reverse,
Except it was
crumbling, not strengthening.
Then some
mental reflex noted
The
multiplying number of epicycles,
And I
wondered how sure I was,
That things
didn't better match,
To the Roman
empire,
Or the Roman
republic,
Or the French
revolution,
Or the
Byzantines,
Or to many
others
Of which I
knew less.
(The amateur
historian,
Confident in
his theory,
Would do well
to count
How many
Chinese dynasties
He can name
at all,
Then exclude
those where
The
mental association maps
Only to a
diad,
With a name,
and a phrase
Like
"vase" or "pottery army".)
The confusing
pattern-matching,
Where every
peg is a meteorite,
Fractally
weird and irregular,
And endlessly
able to be rotated,
And every
hole is an impact crater,
Blasted into
the earth,
Chaos where a
neat outline should be.
Beware the
advice
Of the
reactionary
Who only
knows one history
Of decline
and fall.
Decline, in
one form or another,
Is on the
lips of almost
Everyone
these days.
A
Democrat-voting work friend
Asks me if I
plan
To
home-school my children,
With
"Yes" his obvious answer.
I responded
that,
I had thought
about this, and
Concluded
that if there
Is not a
nearby school,
Either public
or private,
That I would
trust to
Educate my
child,
Is this
actually still
The country I
should be living in?
The answer,
unspoken, lingers in the air.
The obvious
follow-on question,
Also
unspoken, is:
"If not
here, then where?"
This one has
no easy answer,
As everywhere
turns into America.
But we have
sailed
Very close to
Charybdis,
And fail to
tack towards
Scylla at our
peril.
Is it really
about to collapse?
Or is this
just
The Twitter
talking?
The
outrage-bait machine,
Using my
brain as
A meat
puppet?
The glowing
square is
Hypnotic and
smooth,
And out of it
pours
Misery and
anxiety.
The view out
my window
Is the same
as ever.
The
conditional is easy to tell.
Fussell
understood it well,
Describing
the prospect of death
For a soldier
in wartime.
If the
porridge hits the propeller:
"It is
going to happen to me,
And only my
not being here
Will prevent
it."
This
realization,
Fussell
thought,
Was what
drove them mad.
As a
foreigner, I can tell you,
Woodrow
Wilson was right
About us
hyphenated-Americans
(For the
first generation at least).
The man who
would leave
His wife for
a mistress,
Will abandon
her, too, in turn,
When the
deal's gone sour.
When it is
your country,
You will
fight.
When you are
a stranger,
You will
leave.
That is, if
you can
Figure it out
in time.
One day, just
like
Niall
Ferguson's bond investors,
On the eve of
WW1,
You may wake
up and find out
That the
great deal
Of ruin in a
nation
Has finally
been exhausted.
It is not
going to happen, probably,
This week,
month, or year, though.
The mean
decline is still slow.
The variance
is alarming.
The young man
who once left
His home,
carelessly,
Not even
really sure
Quite what
the plan was,
Finds this an
overwhelming question
Now in middle
age.
So what to do
in the meantime?
If now is
not, in fact, the right time?
Relative to
the Soviets,
Our mangled
and mismatched metaphor,
We have one
great advantage.
We also have
an NKVD,
But no one is
in charge of it.
Its ad hoc
structure gives
Only loose
coordination,
And since the
only payoff comes
In the
debased coin of status,
Our own era's
commissars
Simply cannot
wait
To announce
themselves publicly.
"In this
house we believe..."
Solzhenitsyn
would have dreamed
Of foes this
blatant.
I suspect
that as things get
Inexorably
worse,
The skill
that soon,
Will matter
most
Is knowing
whom to trust,
And whom you
can
Speak freely
to.
I have found
just two
Rules of
thumb worth relaying.
If you have a
Sense of
humor,
And if you
can
Debate a
point
And not take
it personally,
I can likely
talk about
Almost
anything with you,
If I choose
my words correctly.
At least
today.
Maybe one
day,
The
backwards-winding clock
Will strike
1937,
And then
everyone will be,
Guilty of
something.
Wish as we
might,
We cannot
live
In any era
but our own.
One must
always try
To avoid the
uselessness
And self-pity
in
"The whining, the pleas of a coward".
So, what can
you do with all this?
Propaganda
succeeds, in part,
When those
who disagree with it,
Are afraid to
say so.
Dissenting
openly and publicly,
Especially in
the written word,
Is courting
great trouble.
It is for the
bold,
If you have a
heart and spirit,
As firm as
Solzhenitsyn,
An old
testament prophet,
In this post
testament world.
But speaking
up in private,
To those you
can trust,
Builds
camaraderie and friendship,
The basis of
all bonds that form
Incipient
organizations,
Upon which
revival may depend.
Perhaps this
adds
Small brick
on brick,
To the start
of something new,
The Empire
that grows,
From the
ashes of the Republic.
Perhaps it
serves only,
As the
intellectual companionship,
Of knowing
one is not alone,
In these
dispirited times.
That the
Soviet mental asylum,
We dissidents
are placed in,
Is actually
filled with the sane.
I may not
live boldly
In many
things,
But I believe
in backing one's judgment
In
estimations of character.
Learn how to
read people,
Judiciously
and carefully,
To figure out
whom you can trust.
But to let
them know
That they can
trust you,
To break the
higher order uncertainty,
Someone
generally has to have
The courage
to say something
Out of sync
with modernity.
Might you get
it wrong?
Of course you
might get it wrong!
I have got it
badly wrong
Exactly three
times, so far.
None were
fatal, thankfully.
Did you
really think that there
Was some
option, in this morass,
That didn't
come with risk?
Reader, you
would go
A fair way
towards
Being conditionally
trusted,
Knowing not
much more
Than that you stumbled across this poem.